View the video at vimeo here

I designed the BERG Cloud & Little Printer branding, the BERG Cloud / Little Printer website, and the UI for the BERG Cloud remote, which will control the printer. We’re only at a prototype stage now, so I’ll also be working on web, mobile & packaging assets for the final shipped product in 2012.

You can read more about Little Printer on the BERG Cloud blog here, or take a look at the product page here.

Although I left Nokia mid-way through the process to move to BERG, I worked on a variety of aspects of the work during my time at Nokia, including out of box experiences (OOBE), operating system UX, as well as conceptual visual styles across the entire UI.

http://swipe.nokia.com/

You can read a more concise writeup on the BERG blog here, and my writeup on the design process of the project including influences and process here.

I worked on the initial concepting, interaction design, and final output visual design, with the insanely talented Tom Stuart making it all happen.

Shuush is an experimental tool, and may be built upon in future.

Fast Company Design have also written a nice article on Shuush.

shuu.sh

I worked on a number of aspects of the process: the SVK brand / logo, product page and checkout flow including art direction & UI, print production, advertisement design, logistics, and also the packaging / product design, alongside Denise Wilton.

You can buy the limited edition comic now from getsvk.com - although due to demand we are currently sold out.

Our concept links retail receipts with the information systems modern tills are linked to.

 

We’ve added semi-useful info-visualisation of the foods ordered based on “what the till knows” – sparklines, trends – and low-tech personalisation of information that might be useful to regulars. Customers can select events or news stories they are interested in by ticking a check box.

We think the humble receipt could be something like a paper “app” and be valuable in small and playful ways.

I worked on the concept, design of the receipt & art direction for the final article.

The redesign has been featured in a number of design blogs, including Fast Company, & Dezeen.

Choosing to migrate content directly, make more of the beautiful project photography going on, and retain a structured, print-like aesthetic, you can see the end result here.

- Development of product templates for Business Cards
- Design, development & production of Trade Show / Exhibition materials, designed to be transported and erected quickly
- Work on UI / web aspects for the moo.com site
- Internal business cards & promotional material
- Design for elements of product packaging
- Overseeing product photoshoots & retouching
- Various graphical treatments for product inserts

solarstormwatch.com

If a bottle of water costs £1, and 1/4 of all bottled water comes out of a tap, why would you buy bottled water? This poster aimed to convince people to drink tap.

Flipbook created by shooting a carpark full of wheely bins, during an office renovation in Bethnal Green. The bins were being moved from the office onto a lorry.

Poster created for the national maritime museum, advertising their Astronomer of the Year exhibition.

‘Canvas’, our solution to the brief, is a fully interactive, user installed social wall. Wanting to step back from the culture around personal devices and the solitude associated with them, Canvas invites groups of people to consume content together, on the same wall. It doesn’t require any knowledge to set up – the user buys rolls of ‘Canvas’ and puts it up as per any wallpaper. You can paint your walls as you normally would with digital paintbrushes, wallpaper your wall as much as you like, browse the internet through infinite windows, watch a football game on a 32″ screen or blow it up across the whole wall, or watch a concert as if you were there.

The final solution was a self-bound book, outlining the details of the product.

Wanting to purposefully stay away from typical ‘infographic’ stylings, I decided to turn my poster into an interactive piece. People I’ve known are placed in groups, and each person is represented with a QR Code which can be scanned by any compatible device, revealing their details.

Every project annotated in images, with experiments, tests, visual explorations, and sketches. Important turning points are noted with a ‘page of note’ tab to see how I reached the final outcome. Laser printed, hand bound.

As RFID is a relatively new technology (or maybe just not that well known to the general public), the original brief was to accurately convey what RFID is to the everyday consumer through iconography. I decided to look at the behaviour of people entering and exiting the London Underground, and how they used their cards. A common theme appeared – touch, action, result. This resonated well with explaining quite a complicated technology to people without much tech knowledge – ‘if you touch this with this, something will happen’.

I started to apply this to preliminary sketches, creating a 3 part ‘formula’ for the iconography. The device + action + result. ‘If you take your phone and touch it here, you’ll be debited £3.50‘. The icons then went through a process of simplification for lower res displays, and then a part-final outcome.

We then took these ideas to a workshop, with Jack Schulze (BERG London), Timo Arnall and Mark Williams (now at Venture Three). We spent a day sketching concepts and thinking about explaining this technology in a logical manner.

I also shot fluorescent balls placed in a speaker cone, to try and visualise the movement of the speaker while music was playing through it.

The results were documented in a book as an investigation, entitled the artofsound.